To us out here in the parts of the world that are not the rarefied halls of Oxford and Cambridge Universities, I guess Stephen Hawking has always been the misshapen figure in the wheelchair, the owner of that robotic American voice, the world-renowned physicist, the best-selling author, The Simpsons' guest star, and the punchline to a hundred lousy stand-up comedians jokes.
除了牛津和劍橋大學(xué)的狹窄的大廳里，在世界的其他一些地方，我猜斯蒂芬·霍金也一直體態(tài)畸形地坐在輪椅上，他像一個(gè)美國機(jī)器人那樣發(fā)出聲音,是世界著名的物理學(xué)家,暢銷書作家,也是電影《辛普森一家》的客串,里面他的妙語連珠引發(fā)了眾多單口相聲的笑點(diǎn)。

The Theory of Everything is writer Anthony McCarten's and director James Marsh's attempt to fill in the backstory; to give us a brief history of Hawking, and the people and events that shaped him.
《萬物理論》是編劇安東尼·麥卡滕和導(dǎo)演詹姆斯·馬什共同完成的電影，他嘗試去補(bǔ)充一些背景故事，給我們一段關(guān)于霍金的大致經(jīng)歷，包括他身邊的人以及他做的事。

Working from Jane Hawking's memoir of her marriage to Stephen, New Plymouth-born McCarten guides the story along a very fine line.
影片根據(jù)霍金的妻子簡霍金的回憶錄改編，出生于新普利斯頓的麥卡騰以此為主線展開了鋪敘。

Young Hawking might have been preternaturally smart, but he was also funny, charming, awkward and head over heels in love. The Theory of Everything captures all this nicely, without ever too obviously dumbing down the man's intelligence and incredible achievements.?
年少時(shí)的霍金就聰慧過人，但他也同樣幽默風(fēng)趣，魅力十足，有時(shí)犯二也真心對(duì)待愛情?！度f物理論》把這些都展現(xiàn)得淋漓盡致，同時(shí)又突出了霍金過人的才智和驚人的成就。

Eddie Redmayne is getting all the praise for his performance as Hawking, and quite rightly. It is a wonderful piece of work and you wouldn't bet a cent right now against Redmayne picking up the Oscar. But for me, it is the quiet, unflashy and perfectly calibrated performance of Felicity Jones as Jane that gives The Theory of Everything its heart and soul.
作為霍金的扮演者，埃迪·雷德梅尼以出色的演技，名副其實(shí)地飽受贊譽(yù)。這是一個(gè)非常成功的作品，你一分錢都不會(huì)拿出來打賭反對(duì)雷德梅尼獲得奧斯卡。但對(duì)我來說，由菲麗希緹·瓊斯飾演的簡，這個(gè)安靜，不起眼的，沒有如此完美的出演給影片注入了精神和靈魂。

There is so much to like and admire about this film. The sense of era and place is beautifully conveyed, the complicated and shifting relationships are clearly and sympathetically laid out, while the science – and its importance – is neither glossed over nor impenetrable.?
關(guān)于這部影片有太多令人喜歡和欣賞的地方?？茖W(xué)極其它的重要性既沒有被忽略也沒有讓觀眾費(fèi)解，同時(shí)，對(duì)于時(shí)空的概念傳達(dá)得婉轉(zhuǎn)動(dòng)人，復(fù)雜多變的關(guān)系被清楚而帶有一絲沉重地表達(dá)。

The Theory of Everything is a lesson in how biopics should be done: honest, occasionally unflattering, often funny, and unavoidably heartbreaking.
《萬有理論》給了傳記電影應(yīng)該如何演繹一個(gè)很好的范例：誠信，穿插一些真誠，常有的笑點(diǎn)，以及無法控制地戳中淚點(diǎn)。

This is a very good film, about more than one remarkable life.
這是一部非常好的影片，不僅僅只是關(guān)于一個(gè)杰出的人生。